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photography competitions you should enter

12/2/2015

 
There are so many wildlife photography competitions out there, how do you know which ones are worth your time and effort to enter? I've compiled a list of some competitions worth considering, from the most prestigious to little-known gems.
UK

Amateur Photographer of the Year 2014 www.amateurphotographer.co.uk

BBC Countryfile Photographic competition www.countryfile.com/subject/photographic-competition

British Wildlife Photographer of the Year  www.bwpawards.org

British Birds: the BB Bird Photograph of the Year competition 
http://britishbirds.co.uk/birding-resources/bird-photograph-of-the-year/

International Garden Photographer of the Year “Wildlife in the Garden” category www.igpoty.com/

The Mammal Society Photo Competition www.mammal.org.uk/photo_competition

Marwell Photographer of the Year competition www.marwell.org.uk/photocomp/

(Every two years) National Insect Week photo competition, Royal Entomological Society, http://nationalinsectweek.co.uk/competitions/insect_photography.htm

Outdoor Photographer of the Year www.opoty.co.uk/


Royal Society Publishing Photography Competition celebrates the power of photography to communicate science https://royalsociety.org/journals/photo-competition/

RSPB Photography Contest‎ “Wildpix” www.rspb.org.uk/discoverandenjoynature/families/children/join_in/competitions/wildpix/index.aspx

RSPCA Young Photographer Awards http://ypa.rspca.org.uk/

Society of Biology photography competition www.societyofbiology.org/get-involved/awards-and-competitions/photography-competition

Wildlife Photographer of the Year www.nhm.ac.uk/wildphoto

The Wildlife Trusts offer a range of local competitions www.wildlifetrusts.org/WildlifePhotography

(Occasionally) WWT Wetland Photography www.wwt.org.uk/wetland-centres/experience/photography/

Landscape Photographer of the Year 
http://www.take-a-view.co.uk/​

Travel Photographer of the Year http://www.tpoty.com/ 

Underwater Photographer of the Year http://www.upylondon.com/

Zoological Society London Animal Photography Prize www.zsl.org/about-us/zsl-animal-photography-prize

Wildlife Photo Contest (Will Burrard Lucas) www.wildlifephoto.com/wildlife-photography-competition

EUROPE

Asferico Photo Contest, Italy www.asferico.com/concorso/e_index.asp

GDT European Wildlife Photographer of the Year, Germany www.gdtfoto.de

World Press Photo Award, Amsterdam, the Netherlands www.worldpressphoto.org/


​MontPhoto, Spain http://montphoto.com/website/index.asp

Montier Photo Festival, France www.festiphoto-montier.org

Glanzlichter Projekt Natur + Fotografie, Germany http://www.glanzlichter.com/

Oasis Photo Contest, Italy www.oasisphotocontest.com/index.asp

Siena International Photo Awards (SIPA) https://sipacontest.com

REST OF WORLD
​

Australian Geographic Nature Photographer of the Year http://naturephotographeroftheyear.com.au/

C4 Photo Safaris http://exploremore.c4photosafaris.com/#enter

Global Arctic Awards International Photography Competition, Russia http://arcticawards.ru/en

Big Picture Natural World Photography Competition, California, USA http://bigpicturecompetition.org/

Golden Turtle international wildlife contest, Moscow http://wncontest.ru/en/about/


Kuwait Grand Photography Contest, Middle East www.kwtphotography.com​

National Geographic Traveller Photo Competition, USA
www.natgeotraveller.co.uk/photo-competition-2015/

Nature’s Best Photography Windland Smith Rice International Awards, USA www.naturesbestphotography.com

Nikon Photo Contest, Japan www.nikon-photocontest.com/en

Por el Planeta Wildlife, Nature & Conservation Photo Competition, Mexico 
https://porelplanetaphoto.com/

Sony World Photography Awards Nature & Wildlife Category www.worldphoto.org


B&H Wilderness Photo Competition www.wildernessphotocompetition.com/

Audubon Photography Awards www.audubon.org/photoawards

Smithsonian Magazine Photo Contest www.smithsonianmag.com/photocontest/?no-ist 

National Wildlife Federation Photo Contest www.nwf.org/photocontest.aspx 

International Photography Awards www.photoawards.com 

International Ocean Art Photo Competition www.uwphotographyguide.com/ocean-art-underwater-photo-competition​

​Ocean Geographic Pictures of the Year Awards http://ogpicoty.ogsociety.org/
​
"Wildlife" category of the Hamdan Bin Mohammed Rashid AlMaktoum International Photography award www.hipa.ae/en/happiness-2015-2016/winners
​
If I've missed off any great wildlife photo competitions, do let me know!

How to survive a charging rhino: 16 life-saving tips

11/2/2015

 
16 top tips from Bryce Clemence, rhino guardian and anti-poaching team leader in Save Valley Conservancy, Zimbabwe
1.     Rhinos will either run away from you or charge you.

2.     Rhinos do not give warnings or make mock charges – when a rhino makes a decision, it always follows through.

3.     Rhinos can cover 30m, accelerating from 0–55kmph, in just three seconds – do not make the mistake of thinking them heavy and slow. They will come at you flat out.

4.     Don’t panic and run – you cannot outpace a rhino. And, if you are in a group, don’t scatter – try to stick together. Make an escape plan before you approach and stick to it.

5.     Know which direction the wind is blowing at all times – be sure the rhino cannot smell you. Don’t forget, the wind direction can change.

6.     As you approach a rhino, make sure you identify all suitable escape trees near you (within three seconds’ distance) at all times, just in case you get into trouble.

7.     Never leave yourself with no cover – move from tree to tree.

8.     You have just three seconds to get out of a rhino’s path, so move sideways, not backwards.

9.     Move behind a tree – to the ‘blind side’ – and then climb.

10. Choose a tree with a girth of 30cm diameter or more and climb to a height of six feet, higher if you can manage it, as quickly as you can. Black rhinos stand 1.5m at the shoulder and you need to get above horn height. They can and do look up.

11. Rhinos use all of their senses – hearing and smell – and though they cannot see well, they can detect movement.

12. Make sure your escape tree is sturdy enough – a furious rhino may simply push down a smaller tree.

13. Rhinos will attempt to use their horn to toss you aside. They put their heads down when they run, so the horn is normally at thigh height on the average human and can inflict a terrible wound.

14. The impact of a direct hit at 55kmph can be as dangerous as a blow from the horn. If you are standing, it could break your back.

15. If you have no time to escape, and the rhino is upon you, dive to the ground and lie feet-first toward the rhino. It may miss you or it may trample you, so try to roll out of its way at the last minute.

16. Rhinos may be colour-blind but they react to red and white so avoid wearing these colours.


I hope this helps you to get out of a tight spot – but remember, the trick is to not get into one in the first place.


HOW TO GET YOUR PHOTOS PUBLISHED: TIPS 51–60

20/1/2015

 
As a wildlife photographer, you probably dream of seeing your name on a multi-page photo story in a glossy magazine, but it's not always easy to get your work published. I've compiled 76 top tips to help you improve your chances. Here are the next 10...
Tip 51: Every story needs an angle. This is not just a description, but the narrative purpose that drives your story.

Tip 52: Edit your photos. Only put your best work on your website. Don't force an editor to wade through mediocrity to get to the good stuff.

Tip 53: Treat everyone you encounter – in the field and in the office – with respect. It’s a small world and people talk.


Tip 54: Ask about rates. Most mags have fixed rates for photos and won’t budge. Negotiate diplomatically to preserve your relationship.


Tip 55: Don't be aggressive when agreeing publication terms – or the magazine may be wary of working with you again.


Tip 56: Raise your profile. To get ahead you may have to work for free. Evaluate the exposure you'll gain to decide if it's worth it.

Tip 57: Providing a free website gallery may not earn money, but you could promote a talk, tour, book, prints or drive traffic to your site.


Tip 58: Enter photo competitions. It is time-consuming, but if you win a big competition it can be truly life-changing. 


Tip 59: Support a good cause. You will not only get a warm glow, you may also get access to great stories and competition-winning images!


Tip 60: Give talks. This will hone your nose for a story, teach you how to engage audiences and help you to identify your “editorial voice”.
We're nearly at the end of this series now and you're nearly a pro at getting your photos published. So now it's time to make sure you know what NOT to do.

how to get your photos published: tips 41–50

22/12/2014

 
As a wildlife photographer, you probably dream of seeing your name on a multi-page photo story in a glossy magazine, but it's not always easy to get your work published. I've compiled 76 top tips to help you improve your chances. Here are the next 10...
Tip 41: Ask intelligent questions. Inquire about the mag's future photo needs and the suitability of any projects you are working on.

Tip 42: Be aware. Editors are always up against a deadline and don’t have a lot of time. It’s your job to make their job easier for them.

Tip 43: Give advance warning. Tell your chosen editor about anything big you are working on that you think they might be interested in, especially if you know they like your work.


Tip 44:
Phone calls aren’t always the best way to promote your photos – every editor's time is tight. And never ever pitch via social media!

Tip 45: Less is more. Email the editor about 10–15 of your best images that showcase the quality and variety of your work.

Tip 46: Choose wisely. When pitching, concentrate on the pictures that are best-suited to the mag, its readers and your story idea.
Don't just send everything you've got.

Tip 47: Target a section. Show you are familiar with the mag and have considered its needs by specifying which section you are targeting.

Tip 48: Think ahead. Many mags are “long-lead” which means that they work several months – or even years – ahead, so pitch early.

Tip 49: Keep it brief. Anything longer than a few hundred words will have the editor flicking to the next email (or making tea).


Tip 50: Be honest. If you've manipulated your images or used live bait, highlight this to the editor so they can make an informed decision about whether they want to use them.

There are still plenty more tips to come next week. Now you've pitched your story, it's time to impress with your professionalism and build long-term editorial relationships.

HOW TO GET YOUR PHOTOS PUBLISHED: 31–40

4/12/2014

 
As a wildlife photographer, you probably dream of seeing your name on a multi-page photo story in a glossy magazine, but it's not always easy to get your work published. I've compiled 76 top tips to help you improve your chances. Here are the next 10...
Tip 31: Be interesting. What every magazine wants is to sell more copies, so ask yourself how your photos can help them do that.

Tip 32: Build relationships with key editorial contacts. Getting published can be all about who you know.

Tip 33: Tailor your story. Don’t assume that one size fits all. Adapt your story angle to the readership and priorities of the magazine.


Tip 34: Getting published is not just about photos; patience, persistence and a willingness to study the magazine's needs are what count. 

Tip 35: Ask your friends. Ask other photographers if they have had success pitching to that mag before and, if so, how they approached them.

Tip 36: Get personal. Putting a face to a name can make the difference between getting an answer to your photography pitch – or not.

Tip 37: Introduce yourself. If the magazine is based in another country, you may need to build your relationships remotely. There's never a good time to phone – email is best!


Tip 38: Avoid the hard sell. Ask if the editor minds you sending over a few shots/ideas every so often and what format they prefer.


Tip 39: Stay in touch. Once or twice a year, send your stand-out shots with a friendly message. People do business with people they like.


Tip 40:
Meet up. Identify key contacts on the publications you wish to target and arrange to meet them at the next big photography event.

There are still plenty more tips to come next week. Now you have made a good first impression on your target magazine, it's time to sell them your story.

how to get your photos published: tips 21–30

1/11/2014

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As a wildlife photographer, you probably dream of seeing your name on a multi-page photo story in a glossy magazine, but it's not always easy to get your work published. I've compiled 76 top tips to help you improve your chances. Here are the next 10...
Tip 21: Explore a photo library. If you know what you want to photograph, but don’t know how well it's already been covered, visit some agency websites.

Tip 22: Stick with it. Don’t assume that photographing a wildlife spectacle for one day, one week or even one month will be enough to tell its story. 

Tip 23: Is anything missing? Imagine a storyboard with all your pictures on and make sure you've covered all the key aspects of your story.

Tip 24: How to pitch. Once you have a story and some amazing new shots, you need to get to know your target publication in detail.

Tip 25: Buy the mag. Study several issues of the publication and ask yourself who it's aimed at. Identify what sort of content it prefers.

Tip 26: Look closer. Try to identify the sections that make up the magazine – features, news, reviews, masterclasses – and what their priorities are.

Tip 27: Be impressive. When it comes to your pitch, an editor will be more impressed if you can demonstrate an appreciation of their magazine’s needs.

Tip 28: Visit the magazine’s website. Look for advice on how they like to receive photo pitches and, most importantly, who to contact.

 Tip 29: Email the right person. Sections have different editors. Targeting the right one can mean a prompt reply instead of a long wait.

Tip 30: Avoid obvious mistakes. Never send your photos to a publication you’ve never even looked at. Editors aren’t stupid – they can tell.

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how to get your photos published: tiPS 11-20

20/10/2014

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As a wildlife photographer, you probably dream of seeing your name on a multi-page photo story in a glossy magazine, but it's not always easy to get your work published. I've compiled 76 top tips to help you improve your chances. Here are the next 10...
Tip 11: Quality counts. Ask yourself (honestly) if your photos match the quality of the photos already published in your target magazine. 

Tip 12: Ask a friend. It’s difficult to be objective about your own photos, so don’t be afraid to ask for someone else’s opinion. 

Tip 13: Don't give up. If your photos aren’t up to the mag's standards take time to work on your technique and creative vision til they are.

Tip 14: Enjoy it. Don’t do it if you don’t love it (or you just want to make money). There are hundreds of people out there who do love it – and it shows.

Tip 15: Stories not stock. Selling stock photos is no longer a way to earn big bucks (sorry). Even photo libraries now look for image sets that tell stories.

Tip 16: Get connected. Link up with a science or conservation project and include key (model-released) people in your photo story

Tip 17: Stand out from the crowd. Every editor is swamped with content pitches every day, so you need to make sure yours catch his/her eye.

Tip 18: Free your mind. You might think it's impossible to show a lion, tiger, elephant or snow monkey in a new, fresh way. You'd be wrong.

Tip 19: Get something new. This might involve unprecedented intimacy, new, iconic or rare behaviour or a new technique or artistic interpretation.

Tip 20: Be original. Editors look for something that stops them in their tracks so show your subject as it’s never been seen before.
There are still plenty more tips to come next week. Next challenge – how to pitch perfectly.
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HOW TO GET YOUR PHOTOS PUBLISHED: TIPS 1–10

14/10/2014

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As a wildlife photographer, you probably dream of seeing your name on a multi-page photo story in a glossy magazine, but it's not always easy to get your work published. I've compiled 76 top tips to help you improve your chances. Here are the first 10... 
Tip 1: Tell a story. Magazines are all about stories. Focus on one species, place or project to get the original content editors look for.

Tip 2: Surprise me! Every editor’s mantra. Don’t overlook familiar or common species, find fresh ways of portraying them.

Tip 3: Sell your work. Don't simply invite an editor to browse your entire website to see if anything catches their eye. They won't do it.

Tip 4: Know what sells. Editors are always asked what they’re looking for, but inspiration is all around. Look at books, mags, ads and online.

Tip 5: Be different. Don’t follow the hoards to photograph polar bears or tigers. It’s been done hundreds of times and competition is fierce.

Tip 6: Be emotional. Take images of things that mean something to you. 

Tip 7: Take heart. It’s not only professionals who get published. Editors are constantly looking for new, fresh and inventive photography.

Tip 8: Be committed. You may need to follow your subject for a year (or more) to capture all its key behaviour and tell its story properly.

Tip 9: Be inspired (but don’t copy). Study the sort of images that win competitions, sell as prints, turn up in calendars and are used in campaigns. 

Tip 10: Stories are made of words, not just photos. If you're not a writer, suggest an expert, researcher or writer who can tell your story.
More tips will follow so don't forget to come back...
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man versus chimp: who would win?

14/10/2014

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This summer, I was asked to produce content for Cineworld's campaign to support the launch of Dawn of the Planet of the Apes.
Dawn of the Planet of the Apes sees genetically enhanced super-apes, led by Caesar the chimp, battle a band of beleaguered humans for control of the planet. The outcome would seem inevitable.

But, in hand-to-hand combat between prime specimens of both species, who would win: human or chimp? I looked at each combatant’s strengths…

ALPHA CHIMP
Height: 5'4 standing upright
Weight: 140lbs

Weapon 1: Strength
Alpha Chimp is terrifyingly strong. His species has been measured as having five times the arm strength of a human male, due to more powerful muscles and better leverage. Primed by his arboreal lifestyle, Alpha Chimp has the strength to twist his adversary’s arm off.

Weapon 2: Teeth and claws
Alpha Chimp doesn’t need a gun – he has long canines and a powerful bite. He also has proportionately longer arms than Alpha Man – they are half as long as his body – giving him dangerous reach with his sharp claws.

Weapon 3: Speed
Alpha Chimp is an explosive sprinter, climber and fighter. He can jump higher and move faster than Alpha Man. He has less control over his muscles, so when it comes to action it’s all-or-nothing. But his extra power and speed come at a price – stamina is sacrificed. 

Weapon 4: Ferocity
Alpha Chimp is not messing around – he’s in it to win it. Aggression is a common part of his daily life and his relentless forward assault is hard to defend against. He doesn’t hold back and aims for Alpha Man’s face, hands, feet and testicles. He’s also unpredictable, which makes him even more dangerous.

Weapon 5: Strong bones
Alpha Chimp’s skull is thicker and his bones more dense than those of his human opponent, making it hard to knock him out. He’s not known as the robust chimpanzee for nothing!

ALPHA MAN
Height: 6'5
Weight: 300lbs

Weapon 1: Intelligence
With his superior intellect, Alpha Man has the edge – but not as much of an advantage as you might think. Chimps also have large, complex brains, they can plan ahead and are skilled at coordinating monkey hunts. Some are also experienced warmongers, systematically picking off members of neighbouring groups one-by-one.

Weapon 2: Control
Though humans are known to perform extraordinary feats of strength in life-and-death situations, Alpha Man cannot hope to match his opponent’s sheer power. However his nervous system gives him more control over his muscles, enabling him to execute more subtle moves.

Weapon 3: Training
Alpha Man is trained in hand-to-hand combat techniques – and he’s going to need every tactic at his disposal. He cannot risk getting too close to his opponent, due to the chimp’s strength and long reach, so he will have to try to attack his extremities eg hands and feet and wear him down til exhaustion takes the edge off his attack.

Weapon 4: Deception
Alpha Man has various tricks up his sleeve to distract and confuse his adversary. Throwing objects, kicking sand or dirt, head-butting or a sudden and powerful yell could all give him a momentary advantage over his primate opponent.

Weapon 5: Swimming
Alpha Man can swim, a talent that evades our closest cousins. This secret weapon may come in useful if there’s water nearby.

And the winner is…
Yes, that’s right. Physically, Alpha Chimp is a superhero compared to even the strongest human and would inevitably annihilate Alpha Man in hand-to-hand combat. But Alpha Chimp would need to have been captive-bred in order to overcome his species’ natural fear of humans. Wild chimps only attack humans in extreme circumstances – usually, they run away.

And, of course, what humans lack in sheer power we make up for in cunning. Afterall, all’s fair in love and war…

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Apes will rise

14/10/2014

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The super-intelligent apes starring in Dawn of the Planet of the Apes may exist only in the movies, but in real life, chimps, gorillas, orangutans and bonobos are more like us than you may have thought. I explore six ways in which great apes are almost human...
1. Language
No great apes can speak as we do, and as they do in the film, because they lack the physical apparatus – the organs within the vocal tract, such as larynx muscles and vocal cords, cannot be moved as quickly or coordinated as well as in humans. However, that does not mean that they cannot understand us or learn to use sign language.

All four kinds of great apes have been taught to communicate this way in captivity. The current star students are Koko, a lowland gorilla, and Kanzi, a 34-year-old bonobo.

Koko was born at San Francisco Zoo in 1971and has been trained to a high level of proficiency in American Sign Language. She has a vocabulary of more than 1,000 signs and understands about 2,000 words of spoken English.

Kanzi was the first ape to acquire language by being exposed to it from a young age. He knows the meaning of up to 3,000 English spoken words and communicates using an electronic lexigram (geometric symbol) touchpad.

Watch Kanzi in action, displaying incredible understanding of spoken commands, and learn more about efforts to teach apes language: https://www.youtube.com/watch?v=QBlDGX95eys

Kanzi demonstrates the use of the lexigram for reporter Lisa Ling https://www.youtube.com/watch?v=jKauXrp9dl4

2. Emotion
Scientists, including Dr Jane Goodall, have described apes displaying a wide range of complex emotions once thought to be uniquely human.

Chimps in particular have very expressive faces, with similar musculature to our own, revealing joy, grief, fear and anger, and Dr Goodall believes that they possess an “almost human-like enjoyment of physical contact”.

Orangutans are believed to have a keen sense of humour, while young bonobos in a sanctuary have been observed offering hugs and kisses to calm companions in distress.

Gorillas have tried to intervene to protect a scared young male from the troop’s silverback in a show of empathy, while Koko (see above) expressed sadness at the death of her pet cat – see https://www.youtube.com/watch?v=CQCOHUXmEZg

3. Memory
Ayumu the chimpanzee has made headlines around the world for his ability to beat humans on memory tests, in both speed and accuracy. Researchers at the Primate Research Institute in Kyoto, Japan, pit chimpanzees against human adults in tests of short-term memory, flashing up numbers in random places on a computer screen, then blanking them out. Ayumu can point out the correct order and location of the numbers in less than half a second. Impressive!

See Ayumu in action here http://www.bbc.co.uk/nature/16832379

4. Self-awareness
Caesar and his buddies daubing their faces in war paint is not the first time apes have sported a spot of rouge.

The mirror test is used to determine if an animal can recognise themselves, which suggests a fairly sophisticated sense of self. The experiment involves marking an animal with a paint spot in a place that it can only see by looking at its reflection, such as on its face. If the animal tries to touch the mark while facing a mirror, it suggests that the animal recognises itself.

Human children gain the ability to pass the test around 18 months of age.  

Interestingly, while chimps, bonobos and orangutans pass with flying colours, gorillas were thought to fail until Koko (see above) tried her luck. It is believed that she overcame her species’ natural avoidance of eye contact – which is interpreted as an expression of aggression – to look at herself in the mirror, suggesting that gorillas can recognise themselves if they can conquer their natural instincts.

See https://www.youtube.com/watch?v=vJFo3trMuD8

5. Tool use
Tool-making was considered a uniquely human ability until the 1960s when Jane Goodall observed chimpanzees using a twig to "fish" for ants in Gombe, Tanzania – the first documented case of wild chimps making and using tools.

When their cousins in West Africa's Ivory Coast were observed using "hammers" to crack open nuts, it was apparent that chimps were capable of the higher intelligence required to adapt what nature provided to achieve a specific goal.

Since then, chimps in the Democratic Republic of Congo have been seen using a variety of tools to extract termites from their nests. These "tool kits" are among the most complex ever observed in wild chimp populations.

In 2007, scientists described chimps in Senegal fashioning sticks into spears to hunt other mammals – lesser bush babies, small nocturnal primates, hidden deep in tree holes.

Watch young chimps learn how to use tools to get their food https://www.youtube.com/watch?v=CnOu0_DATxY

Watch the first evidence that wild gorillas use tools to cope with their environment https://www.youtube.com/watch?v=GcqNzl49csA

6. Culture
Culture is another trait that’s no longer unique to humans. Researchers studying orangutans have demonstrated that great apes share our ability to learn socially and pass down certain behaviours through generations.

Studying six populations of orangutans in Borneo and Sumatra, Indonesia, researchers identified 24 behaviors that show evidence of being culturally transmitted. Many of the behaviors involve tool use – using sticks to dig seeds out of fruit, to poke into tree holes to obtain insects, or to scratch – or using leaves as napkins or as gloves to protect against spiny fruit.

Other traits that show evidence of cultural transmission include play and different forms of communication, such as blowing “raspberries" or making "kiss-squeaks" using leaves to amplify the sound.

Conclusion Great apes are smart, they’re sensitive and they’re self-aware. It seems that we humans aren’t so special afterall…

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    Editor of various wildlife mags for almost 20 years and judge of most of the biggest wildlife photo comps.

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